{"id":16203,"date":"2026-08-06T10:55:53","date_gmt":"2026-08-06T10:55:53","guid":{"rendered":"https:\/\/cineeco.pt\/edicao\/%ano_da_edicao%\/o-avesso-do-mundo-the-lining-of-the-world\/"},"modified":"2026-09-18T16:49:03","modified_gmt":"2026-09-18T16:49:03","slug":"o-avesso-do-mundo-the-lining-of-the-world","status":"publish","type":"edicao_2024","link":"https:\/\/cineeco.pt\/en\/edition\/2026\/o-avesso-do-mundo-the-lining-of-the-world\/","title":{"rendered":"O AVESSO DO MUNDO (The Lining Of The World)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">There is a house in Minas da Panasqueira left behind at the end of childhood. There is a collection of pictures and objects from that place and time.  <br\/>THE LINING OF THE WORLD is a search for a lost time or the story of a film that was never made.<\/p>\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Filmmaker details: Rita Palma <\/summary>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"726\" height=\"1024\" fetchpriority=\"low\" src=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-726x1024.jpg\" alt=\"\" class=\"wp-image-17066\" srcset=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-726x1024.jpg 726w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-213x300.jpg 213w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-768x1082.jpg 768w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-1090x1536.jpg 1090w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-1453x2048.jpg 1453w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/oadm-FOTO-REALIZADORA-rita-palma-scaled.jpg 1816w\" sizes=\"(max-width: 726px) 100vw, 726px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Rita Palma (born in Lisbon in 1975) studied Film (Cinematography and Directing) at the Higher School of Theatre and Cinema (Escola Superior de Teatro e Cinema), and Communication Sciences at FCSH-UNL (School of Social Sciences and Humanities at the NOVA University of Lisbon). She has directed short films, including A COSTUREIRA QUE ENGOLIU UM ALFINETE (2002), RETRATO DA VELHA ENQUANTO SENHORA (2005), and ODISSEIA (2007). Since 1996, she has regularly worked as an assistant director, screenwriter and editor. In 2013, she co-founded the production company Tr\u00eas Vint\u00e9ns with Marta Pessoa and Jo\u00e3o Pinto Nogueira, having produced films such as OUTRA FORMA DE LUTA (2014), O MEDO \u00c0 ESPREITA (2015), O LUGAR QUE OCUPAS (2016), DONZELA GUERREIRA (2020), UM NOME PARA O QUE SOU (2022), ROSINHA E OUTROS BICHOS DO MATO (2023), ISTO N\u00c3O \u00c9 UM JARDIM (2025), and O AVESSO DO MUNDO (2025) which is also her first feature film.   <\/p>\n<\/div>\n<\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>There is a house in Minas da Panasqueira left behind at the end of childhood. There is a collection of pictures and objects from that place and time. 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