{"id":16434,"date":"2026-08-06T17:02:24","date_gmt":"2026-08-06T17:02:24","guid":{"rendered":"https:\/\/cineeco.pt\/edicao\/%ano_da_edicao%\/floresta-do-fim-do-mundo\/"},"modified":"2026-09-07T10:16:35","modified_gmt":"2026-09-07T10:16:35","slug":"floresta-do-fim-do-mundo","status":"publish","type":"edicao_2024","link":"https:\/\/cineeco.pt\/en\/edition\/2026\/floresta-do-fim-do-mundo\/","title":{"rendered":"FLORESTA DO FIM DO MUNDO"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Blending speculative fiction with the cosmogeny of the Amazonian Baniwa people, the film tells the story of Suely, an Indigenous woman who divides her days between a small apartment in a large Brazilian city and dreams in which she communicates with a forest. Between romantic dances in a suburban bar, the heavy sounds of machines in a recycling factory and the mysterious voices of an impatient nature, Suely connects to secrets about herself that place her in the midst of radical changes to the future of the world as we know it.  <br\/>Floresta do fim do mundo is the third creative collaboration between Rio de Janeiro filmmaker Felipe M. Bragan\u00e7a and Indigenous visual artist Denilson Baniwa, completing the \u201cPlant Trilogy\u201d \u2013 which also includes a video performance and a video installation.<\/p>\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Filmmaker Details: Felipe M. Bragan\u00e7a<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"908\" height=\"1024\" fetchpriority=\"low\" src=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/felipe-908x1024.png\" alt=\"\" class=\"wp-image-17194\" srcset=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/felipe-908x1024.png 908w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/felipe-266x300.png 266w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/felipe-767x865.png 767w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/felipe.png 1164w\" sizes=\"(max-width: 908px) 100vw, 908px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Felipe M. Bragan\u00e7a is a filmmaker whose work is deeply rooted in Brazilian culture and historical memory, exploring their many layers through a distinctive style of magical realism. His films have been screened at major international festivals, including Berlinale, Cannes, Rotterdam, Locarno, and Sundance. Retrospectives of his work have been presented at the Jeu de Paume, the California Institute of the Arts, and Arsenal Institut Berlin. In collaboration with Denilson Baniwa, Bragan\u00e7a is currently developing his next feature film, \u201cMAKUNAIMA XXI\u201d.   <\/p>\n<\/div>\n<\/div>\n<\/details>\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Filmmaker details: Denilson Baniwa<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"847\" height=\"1024\" fetchpriority=\"low\" src=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/denilson-847x1024.png\" alt=\"\" class=\"wp-image-17195\" srcset=\"https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/denilson-847x1024.png 847w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/denilson-248x300.png 248w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/denilson-767x928.png 767w, https:\/\/cineeco.pt\/wp-content\/uploads\/2026\/08\/denilson.png 1085w\" sizes=\"(max-width: 847px) 100vw, 847px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Denilson Baniwa is a visual artist from the Brazilian Amazon and a member of the Baniwa people. Blending ancestral knowledge with contemporary artistic practices, his work foregrounds the experiences of Indigenous communities while challenging colonial narratives. His work has been exhibited at institutions including the Pinacoteca de S\u00e3o Paulo, the 22nd Sydney Biennale and the Getty Museum in Los Angeles. In 2024, he was one of the curators of the Brazilian Pavilion at the Venice Biennale. \u201cFloresta do fim do mundo\u201d marks his debut as a director.   <\/p>\n<\/div>\n<\/div>\n<\/details>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blending speculative fiction with the cosmogeny of the Amazonian Baniwa people, the film tells the story of Suely, an Indigenous woman who divides her days between a small apartment in a large Brazilian city and dreams in which she communicates with a forest. 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