{"id":16529,"date":"2026-08-10T09:31:46","date_gmt":"2026-08-10T09:31:46","guid":{"rendered":"https:\/\/cineeco.pt\/edicao\/%ano_da_edicao%\/le-tresor-the-treasure\/"},"modified":"2026-09-08T16:31:13","modified_gmt":"2026-09-08T16:31:13","slug":"le-tresor-the-treasure","status":"publish","type":"edicao_2024","link":"https:\/\/cineeco.pt\/en\/edition\/2026\/le-tresor-the-treasure\/","title":{"rendered":"LE TR\u00c9SOR (The Treasure)"},"content":{"rendered":"\n

Ever since he was little, my son Jules, 10 years old, has spent his life outdoors, climbing trees, and loving nature like few people around me do. When he came to me with this story about a boy landing on a deserted island and discovering the nature around him, followed by the terrifying twist where, in a not-sodistant future, another boy of the same age realizes that this nature has disappeared forever, and that the only true treasure we had was the planet we are destroying, I knew it was crucial for us to make a film together. To share his message, of course, but also to show him that it\u2019s important to always follow through on your ideas. We shot the first part of the film on Santo Ant.o, the western most island of Cape Verde, in 16 mm. Shooting on film was also part of the experience: it\u2019s very organic, you can touch the film stock, and it\u2019s precious. For Jules, who plays in his own film, it\u2019s about focusing on getting the action right to avoid wasting the takes. It\u2019s one more responsibility for him in this project that means so much to him. For the second part, we thought about it a lot, and making it in animation became an obvious choice. Because animation is universal, it gives the film a fairytale-like quality, but also because it remains artisanal, human, and, in a way, close to nature. We were fortunate that Agn.s Patron, whose style we love, liked the project and agreed to help us. It was a fantastic collaboration, and she was able to put on paper exactly what we had in mind. Finally, Pierre Oberkampf, a brilliant composer, also managed to set this inspiring yet tragic story to music, expressing the child\u2019s wonder at nature before transitioning into a poignant disillusionment at the twist\u2019s end. We hope the film will touch as many viewers as possible and make them realize how essential it is to protect the Treasure we live on. \u201cWe must rewild the world,\u201d as Sir David Attenborough so rightly says. <\/p>\n\n

Filmmaker details: Thierry Albert <\/summary>\n

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Thierry Albert is a creative director and film director working under the name Albert Albert. He has directed advertising campaigns for Heineken, Instagram and Adidas, documentaries for Dazed & Confused, and music videos for artists including Pet Shop Boys, Duke Dumont, Format: B and Thom Draft. His music video for Thom Draft was shot entirely on a smartphone to be viewed on smartphones, reflecting a generation immersed in social media. The project received three D&AD Pencil Awards in 2023, including one for Best Direction, and was selected as a Vimeo Staff Pick. He is the father of two children, including Jules Albert, with internationally acclaimed photographer Sophie Ebrard. <\/p>\n<\/div>\n<\/div>\n<\/details>\n\n

Filmmaker details: Jules Albert<\/summary>\n

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Jules Albert is a 12 year old actor and director. Le Tr\u00e9sor is Jules and Thierry’s second short film after Solo, their music clip for Joep Beving. <\/p>\n<\/div>\n<\/div>\n<\/details>\n\n

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