{"id":8786,"date":"2025-08-08T13:04:51","date_gmt":"2025-08-08T13:04:51","guid":{"rendered":"https:\/\/cineeco.pt\/the-films-in-the-official-cineeco-2025-selection\/"},"modified":"2025-09-10T10:15:43","modified_gmt":"2025-09-10T10:15:43","slug":"the-films-in-the-official-cineeco-2025-selection","status":"publish","type":"post","link":"https:\/\/cineeco.pt\/en\/the-films-in-the-official-cineeco-2025-selection\/","title":{"rendered":"The films in the official CineEco 2025 selection"},"content":{"rendered":"\n

More than 80 films in competition at the 31st edition of the Serra da Estrela International Environmental Film Festival.<\/p>\n\n

INTERNATIONAL FEATURE FILM COMPETITION (\u2265 60\u2032)<\/strong> <\/p>\n\n

INTERNATIONAL FEATURE FILM COMPETITION<\/p>\n\n

A NEW KIND OF WILDERNESS<\/strong><\/td>Silje Evensmo Jacobsen<\/td>84′ <\/td><\/tr>
Norway, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
ANGELO DANS LA FOR\u00caT MYST\u00c9RIEUSE<\/strong> (Angelo in the Magic Forest) <\/td>Alexis Ducord, Vincent Paronnaud<\/td>81′ <\/td><\/tr>
France\/Luxembourg, Animation, 2024 <\/td>\u00a0<\/td><\/tr>
BLACK SNOW<\/strong><\/td>Alina Simone<\/td>100′<\/td><\/tr>
USA, Documentary, 2024<\/strong><\/td>\u00a0<\/td><\/tr>
CLIMATE IN THERAPY<\/strong><\/td>Nathan Grossman, Olof Berglind, Malin Olofsson<\/td>64′<\/td><\/tr>
Sweden, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
KATWE<\/strong><\/td>Nima Shirali<\/td>97′<\/td><\/tr>
Uganda, Sweden, Documentary. 2025<\/td><\/td><\/td><\/tr>
MILCH INS FEUER<\/strong> (Smell of Burnt Milk)<\/td>Justine Bauer<\/td>79′<\/td><\/tr>
Germany, Drama, 2024<\/strong><\/td>\u00a0<\/td><\/tr>
PET FARM<\/strong><\/td>Finn Walther, Martin A. Walther<\/td>82′<\/td><\/tr>
Norway, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
THE TOWN THAT DROVE AWAY<\/strong><\/td>Grzegorz Piekarski, Natalia Pietsch<\/td>70′<\/td><\/tr>
Poland, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
XUE SHUI XIAO RONG DE JI JIE<\/strong> (After the Snowmelt) <\/td>Yi-Shan Lo<\/td>110′<\/td><\/tr>
Taiwan\/Japan, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
WHITE HOUSE EFFECT<\/strong><\/td>Bonni Cohen, Pedro Kos, Jon Shenk<\/td>97′ <\/td><\/tr>
USA, Documentary, 2024<\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

INTERNATIONAL COMPETITION FOR SHORT AND MEDIUM-LENGTH FILMS<\/strong><\/p>\n\n

INTERNATIONAL SHORT AND MEDIUM-LENGTH FILM COMPETITION<\/p>\n\n

A CLAWSOME TALE<\/strong><\/td>Lucie Machin<\/td>21’43”<\/td><\/tr>
United Kingdom, Documentary\/ Fiction\/ Animation, 2025 <\/td><\/tr>
A QUI LE MONDE<\/strong> (Blooming)<\/td>Marina Russo Villani, Victor Missud<\/td>45′<\/td><\/tr>
France, Documentary, 2024<\/td><\/tr>
ATOM & VOID<\/strong><\/td>Gon\u00e7alo Almeida<\/td>8’46”<\/td><\/tr>
Portugal, Horror, 2024<\/td><\/tr>
BLUE LAKE WHISPERS<\/strong> <\/td>Hossein Khami<\/td>15′<\/td><\/tr>
Iran, Drama, 2024 <\/td><\/tr>
COUPER LE ROBINET<\/strong> (Close the Tap)<\/td>Mathieu Duthilleul, Maya Vienne<\/td>4′ 09”<\/td><\/tr>
France, Experimental\/ Comedy, 2024 <\/td><\/tr>
EEL<\/strong><\/td>Wayne Burns<\/td>10’56”<\/td><\/tr>
Canada, Thriller, 2025<\/td><\/tr>
EL MAR SUSSURRA NUESTRO REGRESSSO<\/strong> (The Sea Whispers Our Return) <\/td>Catalina Infante<\/td>16′<\/td><\/tr>
Chile, Documentary, 2025<\/td><\/tr>
ENRAIZADOS<\/strong> (Our Roots Remain)<\/td>Ivonne Serna, S\u00e9lim Benzeghia<\/td>18′<\/td><\/tr>
Mexico, Documentary, 2024<\/td><\/tr>
EX-TRACT<\/strong><\/td>Marcel Barelli<\/td>3′<\/td><\/tr>
Switzerland, Animation\/ Experimental, 2025<\/td><\/tr>
HEADLAND<\/strong><\/td>Mariana Duarte<\/td>13′<\/td><\/tr>
United Kingdom, Documentary, 2024<\/td><\/tr>
HUMANS BUILD THE BIGGEST NESTS<\/strong><\/td>Isaac King<\/td>4′<\/td><\/tr>
Canada, Animation\/Experimental, 2024<\/strong><\/td><\/tr>
KJ\u00c6LEDYRUTRYDDELSE<\/strong> (Pet-extermination)<\/td>Mikkel Storm Glomstein<\/td>14’20”<\/td><\/tr>
Norway, Drama\/Comedy, 2025<\/td><\/tr>
LA PETITE ANC\u00caTRE<\/strong> (The Little Ancestor)<\/td>Alexa Tremblay-Fancouer<\/td>11’12”<\/td><\/tr>
Canada, Documentary\/Animation, 2024<\/td><\/tr>
MARTHA<\/strong><\/td>Marcel Barelli<\/td>6′ 53”<\/td><\/tr>
Switzerland, Documentary\/Animation, 2024<\/td><\/tr>
MUT<\/strong><\/td>Giulio Squillacciotti<\/td>18′ <\/td><\/tr>
Italy, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
YESTERDAY I REMEMBERED MY MOM<\/strong> <\/td>Leandro Afonso<\/td>22’39”<\/td><\/tr>
Brazil, Drama\/Fiction, 2025<\/td><\/tr>
PLANETAGATIK<\/strong><\/td>Eneko Muruzabal Elezcano<\/td>9’35”<\/td><\/tr>
Spain, Fiction, 2024<\/td><\/tr>
PLASTIC SURGERY<\/strong><\/td>Guy Trevellyan<\/td>12’02”<\/td><\/tr>
United Kingdom, Thriller, 2025 <\/td>\u00a0<\/td><\/tr>
RADICAL NEIGHBORING<\/strong><\/td>Mattias Olsson<\/td>18′ <\/td><\/tr>
Sweden, Documentary, 2025<\/td><\/tr>
RAY THE RUG<\/strong><\/td>Mohammad Ali Shakeri<\/td>6’16”<\/td><\/tr>
Thailand, Documentary\/Animation, 2024<\/td>\u00a0<\/td><\/tr>
SILENT PANORAMA<\/strong> <\/td>Nicolas Piret<\/td>5’09”<\/td><\/tr>
Belgium, Documentary\/Animation, 2024 <\/td>\u00a0<\/td><\/tr>
SUKANDE KAS\u00c1K\u00c1<\/strong> (Ailing Land)<\/td>Kamikia Kisedje, Fred Rahal <\/td>30′<\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
TERRADREAD<\/strong><\/td>Beatrice Alin\u00e9<\/td>21’40”<\/td><\/tr>
Germany, Fiction 2025<\/td>\u00a0<\/td><\/tr>
THAT’S HOW I LOVE YOU<\/strong><\/td>M\u00e1rio Macedo<\/td>18′<\/td><\/tr>
Croatia\/Portugal, Fiction, 2024<\/td>\u00a0<\/td><\/tr>
THE KILLING FIELDS<\/strong><\/td>Willow Naomi Curry<\/td>13’42”<\/td><\/tr>
USA, Documentary\/Experimental, 2024<\/td>\u00a0<\/td><\/tr>
THE LEGEND OF TIBROGARGAN<\/strong><\/td>Anna Doyle<\/td>11’32”<\/td><\/tr>
Australia, Documentary\/ Experimental, 2025<\/td>\u00a0<\/td><\/tr>
TIGRE ES YAGUARET\u00c9<\/strong> (Tiger is Yaguaret\u00e9)<\/td>Left Hand Rotation Collective <\/td>27′<\/td><\/tr>
Argentina, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
WATER WILL BE HERE TOMORROW<\/strong><\/td>Lesia Bakalets<\/td>26′<\/td><\/tr>
Ukraine, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
ZRYWKA<\/strong><\/td>Aram Menua Jesajan<\/td>11′<\/td><\/tr>
Poland, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
\u7ea2<\/strong> <\/strong>(Hong)<\/strong><\/td>Yingying HU<\/td>29′<\/td><\/tr>
China, 2024<\/td>\u00a0<\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

<\/p>\n\n

PORTUGUESE LANGUAGE FEATURE FILM COMPETITION<\/strong><\/p>\n\n

PORTUGUESE LANGUAGE FEATURE FILM COMPETITION<\/p>\n\n

THE TIME OF WATERS<\/strong> <\/td>Christiane Garcia<\/td>80′<\/td><\/tr>
Brazil, Fiction, 2024<\/strong><\/td>\u00a0<\/td><\/tr>
THIS IS NOT A GARDEN<\/strong> <\/td>Marta Pessoa<\/td>79′ <\/td><\/tr>
Portugal, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
WATERLINE<\/strong> <\/td>Rui Sim\u00f5es<\/td>68′ <\/td><\/tr>
Portugal, Documentary, 2025<\/strong><\/td>\u00a0<\/td><\/tr>
NO MORE HISTORY W<\/strong> ITHOUT US<\/td>Priscilla Brazil<\/td>75′ <\/td><\/tr>
Brazil, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
WE ARE TWO ABYSES<\/strong> (We are Two Abysses)<\/td>Kopal Joshy<\/td>76′<\/td><\/tr>
Portugal, Documentary\/Fiction, 2025<\/td>\u00a0<\/td><\/tr>
NATTERER TREASURE<\/strong><\/td>Renato Barbieri<\/td>84′<\/td><\/tr>
Brazil, Documentary, 2024<\/strong><\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

COMPETITION FOR SHORT AND MEDIUM-LENGTH FILMS IN PORTUGUESE LANGUAGE<\/strong><\/p>\n\n

PORTUGUESE LANGUAGE SHORT AND MEDIUM-LENGTH FILM COMPETITION<\/p>\n\n

Millennium<\/strong> ‘s Turn<\/td>Alberto Seixas<\/td>14’25”<\/td><\/tr>
Portugal, Fiction, 2024 <\/strong><\/td>\u00a0<\/td><\/tr>
BANANA YELLOW<\/strong><\/td>Alexandre Sousa<\/td>12’42” <\/td><\/tr>
Portugal\/Hungary, Animation, 2025<\/td>\u00a0<\/td><\/tr>
ATOM & VOID<\/strong><\/td>Gon\u00e7alo Almeida<\/td>8’46 <\/td><\/tr>
Portugal, Horror, 2024<\/td>\u00a0<\/td><\/tr>
AURORA<\/strong><\/td>Bruna Lessa <\/td>20′<\/td><\/tr>
Brazil, Fiction, 2025<\/td>\u00a0<\/td><\/tr>
METAMORPHOSIS<\/strong> CHANTINGS OR<\/strong> THAT TIME WHEN I INCARNATED AS PORPOISE Metamorphosis Chantings or That Time When I Incarnated as Porpoise<\/td>Ain\u00e1 Xisto <\/td>11’25”<\/td><\/tr>
Portugal\/ Brazil, Documentary\/Experimental, 2024<\/td>\u00a0<\/td><\/tr>
DOG ALONE<\/strong> <\/td>Marta Reis Andrade<\/td>13’02”<\/td><\/tr>
Portugal\/France, Animation, 2025 <\/td>\u00a0<\/td><\/tr>
COLMEIA<\/strong> (Hive)<\/td>Tatiane de Oliveira<\/td>10’31”<\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
DARU\/N<\/strong><\/td>Benjamin Hindrichs<\/td>14’33”<\/td><\/tr>
Portugal\/Spain, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
ENXOFRE<\/strong> <\/td>Karen Akerman, Miguel Seabra Lopes<\/td>15′<\/td><\/tr>
Portugal\/Brazil, Experimental, 2024<\/td>\u00a0<\/td><\/tr>
MAY<\/strong> <\/td>Claudio Carbone<\/td>12’27”<\/td><\/tr>
Portugal, Documentary,2025<\/td>\u00a0<\/td><\/tr>
Spring Tide<\/strong> <\/td>Renata Freitas Machado<\/td>19’45”<\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
BUT IT’S NOT THE<\/strong> SAME<\/td>B\u00e1rbara da Palma Teixeira<\/td>18’34’ <\/td><\/tr>
Portugal, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
I FEEL AT PEACE<\/strong> THINKING OF TODAY<\/td>Paulo Gadioli<\/td>8’03”<\/strong> <\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
THE LAST<\/strong> Soy Sweeper<\/td>Blue Perseus, Paulo Al\u00edpio<\/td>13’52”<\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
Caught in the <\/strong> Net<\/td>Nuno Alves de Lima<\/td>28′<\/td><\/tr>
Portugal, Documentary\/Animation, 2024<\/td>\u00a0<\/td><\/tr>
RIBEIRO DE BAIXO, CAPE OF THE WORLD<\/strong> <\/td>Nuno Mendon\u00e7a, Rodrigo Queir\u00f3s, Vitor Covelo<\/td>19′ <\/td><\/tr>
Portugal, Documentary, 2024<\/td>\u00a0<\/td><\/tr>
TIME TO SMILE<\/strong> <\/td>Jonas Almeida Braga Amarante<\/td>12’15”<\/td><\/tr>
Portugal\/Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
V\u00c2NIA AND VAL\u00c9RIA<\/strong><\/td>Isabela Alves, Isabella Milena Nascimento<\/td>21’32” <\/td><\/tr>
Brazil, Documentary, 2025<\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

<\/p>\n\n

REGIONAL PANORAMA COMPETITION<\/strong><\/p>\n\n

REGIONAL PANORAMA COMPETITION<\/p>\n\n

THE<\/strong> FIRE<\/td>Joana Cabete<\/td>3’06” <\/td><\/tr>
Portugal, Animation, 2024<\/strong><\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
THE LAST SHEPHERD OF SABUGUEIRO<\/strong> The Last Shepherd of Sabugueiro<\/td>Laur\u00e8ne da Palma Cavaco<\/td>6′ <\/td><\/tr>
Portugal, Documentary, 2025<\/td>\u00a0<\/td><\/tr>
DOWN THE MOUNTAIN<\/strong> <\/td>Carlos Mart\u00ednez-Pe\u00f1alver Mas<\/td>8′<\/td><\/tr>
Portugal, Documentary\/ Experimental, 2025<\/td>\u00a0<\/td><\/tr>
TAKE CARE<\/strong> <\/td>Joana Alves<\/td>19’56” <\/td><\/tr>
Portugal, Fiction, 2024<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
WE ARE TWO ABYSES<\/strong> (We are two Abysses)<\/td>Kopal Joshy<\/td>76′ <\/td><\/tr>
Portugal, Fiction\/Documentary, 2025<\/td>\u00a0<\/td><\/tr>
CARVED IN<\/strong> STONE<\/td>Tiago Cerveira<\/td>16’15” <\/td><\/tr>
Portugal, Documentary, 2024<\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

COMPETITION FOR SHORT FICTION, NON-FICTION AND ANIMATION FILMS (\u226410<\/strong> min)<\/strong><\/p>\n\n

FICTION, NON-FICTION AND ANIMATION SHORT FILM COMPETITION (\u2264 10 min)<\/p>\n\n

DE AFVALLIGEN<\/strong> (The Refusers) <\/td>Wiep Teeuwisse<\/td>2’31” <\/td><\/tr>
Netherlands, Animation, 2024<\/td>\u00a0<\/td><\/tr>
THIS<\/strong> IS WILD!<\/td>Daniel Neves Montezano<\/td>21’12”<\/td><\/tr>
Brazil, Documentary\/Animation, 2024<\/td>\u00a0<\/td><\/tr>
EXTINCT<\/strong> <\/td>Yesid Soacha<\/td>7′ <\/td><\/tr>
Colombia, Animation, 2024<\/td>\u00a0<\/td><\/tr>
FISH AND RICE<\/strong> (Fish and Rice)<\/td>Group of students from Berlin Elementary School<\/td>1’43” <\/td><\/tr>
Cape Verde, Animation\/ Experimental, 2025<\/td>\u00a0<\/td><\/tr>
L’ANCIEN MONDE<\/strong> (The Old World)<\/td>Owen Archinet<\/td>11′ <\/td><\/tr>
France, Animation, 2025<\/td>\u00a0<\/td><\/tr>
OVA – THE LITTLE ASTRONAUT<\/strong> (Al Short Film)<\/strong><\/td>Cyril Verbois<\/td>6’37” <\/td><\/tr>
Switzerland, Animation, 2025<\/td>\u00a0<\/td><\/tr>
PIERIS: THE WING TO THE WIND<\/strong><\/td>Tiago Miguel<\/td>3’13” <\/td><\/tr>
Portugal, Animation, 2025<\/td>\u00a0<\/td><\/tr>
PLAZER BAT<\/strong> (A pleasure) <\/td>S\u00f3nia Est\u00e9vez <\/td>4′<\/td><\/tr>
Spain, Animation\/ Experimental, 2024<\/td>\u00a0<\/td><\/tr>
PSSST !<\/strong><\/td>Morgane Parelli<\/td>2’47” <\/td><\/tr>
France, Fantasy\/ Comedy, 2025<\/td>\u00a0<\/td><\/tr>
RED <\/strong>WOLF IN TIME OUT<\/strong><\/strong><\/td>Dave Russo, Calliope Mary<\/td>4′<\/td><\/tr>
USA, Documentary\/Animation, 2025 <\/td>\u00a0<\/td><\/tr>
SOY AGUA<\/strong> (I am Water)<\/td>Roser Cus\u00f3<\/td>6’20” <\/td><\/tr>
Spain, Animation, 2025<\/strong><\/td>\u00a0<\/td><\/tr>
THE LAND KEEPS WATCH<\/strong><\/strong> <\/td>Iryna Tanasiichuk<\/td>7’52” <\/td><\/tr>
Estonia\/Ukraine, Animation, 2025<\/strong><\/td>\u00a0<\/td><\/tr>
TOMORROW NEVER DIES<\/strong> <\/td>Behnam Bahadori<\/td>4′ <\/td><\/tr>
Iran, Animation, 2024<\/td>\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Get to know the films in competition at the 31st edition of CineEco.<\/p>\n","protected":false},"author":2,"featured_media":7140,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[115],"tags":[],"ano_da_extensao":[],"local_da_extensao":[],"class_list":["post-8786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"\nThe films in the official CineEco 2025 selection - CineEco Seia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineeco.pt\/en\/the-films-in-the-official-cineeco-2025-selection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The films in the official CineEco 2025 selection - 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