Taking the nature of Taiwan as the theme of the film, starting from the seeds of liquidambar on the mountain, from Taiwanese red quinoa to wheat straw chrysanthemum, it is like the colorful spectrum of the spring earth advancing layer by layer; the waterfall-like five-knuckle seeds imitate the turbulent waves and the endless stream, flowing into the fields to grow a field.
A golden harvest of crops; fresh oysters, clams, and sea melon seeds collide with each other and make a crisp and sweet sound, imitating the sparkling sea level… Using local media collected in Taiwan, I try to recreate Taiwan’s mountain scenery and landscape. , the original appearance of the natural texture of the seascape. —— Taking the nature of Taiwan as the theme of the film, from mountains to the sea, using local media collected in Taiwan, try to recreate Taiwan’s mountain scenery and landscape. , the original appearance of the natural texture of the seascape.

Filmmaker details: Raito Low .

Raito Low Jing-Yi, originally from Malaysia and now based in Taiwan, is a stop-motion creator, founder of Raito’s Art Studio, and a member of the Wemen Project at Treasure Hill Artist Village. She uses natural objects as her primary material, searching for common connections between personal life experiences and the natural world. Her works, including Fisso, Blüte, and Blumentanz, have been featured in over a hundred film festivals worldwide. Collaborating with Mali, the author of Abi-Sword, on Like Water, We Flow, Raito has also contributed as a stop-motion animator on Little Hilly, The Sick Rose, and Compound Eyes of Tropical.